Weaving Courses Offered

Woohoo! Time for a Big Honkin' Announcement! As I may have alluded to once or twice but never really expanded on, Mom and I are offering two five-day weaving courses at her studio on Vashon Island, WA in January of 2010. Now that the madness of the latest craft market is over, I've finally had enough time to put together a respectably complete prospectus of what we'll be doing.

(I had intended to do up a spiffy web page on my Weavers Palette site to announce this but, woe is me, my mad webskillz were not up to the task. Or not up to making it as pretty as Blogger can, at any rate, so to the greater and prettier wisdom of Blogger I shall yield.)

Here is Thee Scoop, for your viewing pleasure:

Beginning & Continuing
Weaving Courses
from
The Weaver's Palette
& Willingham Weavery

Mother/daughter weaving tag team Sue Willingham and Janet Dawson are offering two five-day courses in January 2010: Weaving 101 – Beginning Weaving (January 11-15), and Weaving 102 – Continuing Weaving (January 18-22).

Courses run from Monday to Friday and include an hour or two of “class” each morning and afternoon plus several hours of time at the looms with two (2!) experienced instructors close at hand, for a total of 6 hours of instruction and supervised weaving each day for five days. In addition, the studio will be open before and after scheduled class times from Monday to Thursday; students are welcome and encouraged to weave on their own as much as they like between classes. Students who complete their first project with time to spare may plan and weave a second if time permits (additional materials fees may apply in this case).

There is a maximum enrollment of eight students in each course and there will be two (2!) instructors on hand at all times, so students will receive plenty of individual attention and assistance.

NB: Sue's studio contains looms made by several different manufacturers so students will have an opportunity to meet and test drive jack, countermarche and rigid heddle looms made by Ashford, Glimakra, Harrisville, LeClerc, Macomber, and Schacht – an invaluable experience for anyone considering purchasing a loom for the first time. The Weavery also has a nearly complete set of Handwoven Magazine and many other weaving texts that students may make use of during the week.

Course Descriptions

Weaving 101: Beginning Weaving ~ January 11-15, 2010

Topics covered:

• Loom meet & greet: the parts of a loom and how they work
• Other weaving paraphernalia: what it's for and how to use it
• Planning a project: choosing threads, set, structure and size
• Reading and creating drafts for weaving
• Dressing a loom from front to back
• Introduction to simple structures: plain weave, twill and basket weave
• How to actually weave: filling bobbins & shuttles, treadling a pattern, throwing the shuttle, maintaining an even beat and tidy selvages
• How to avoid and correct mistakes made while weaving
• How to stop weaving: hemstitching, hems, knotted fringes and other methods of securing your fabric
• How to wet finish cloth

Each student will wind a warp, dress a floor loom and weave a sampler in plain weave, basket weave and a variety of twills, then use the skills learned from the sampler to weave a set of tea towels in her choice of colours on the same warp. Additional looms will be dressed and ready for students to weave samples of variations on plain weave and twill: warp faced, weft faced, twill gamps, and/or finger manipulated weaves. Students may plan and weave a second project if time permits.

Beginning Weaving makes use of the book Learning to Weave by Deborah Chandler; students are required to bring their own copy of the book to class. Students should also bring their own small, sharp scissors, blunt end tapestry needles, and note taking supplies. All other materials and equipment will be provided (though students who have their own shuttles and bobbins may wish to bring these as well). A materials fee will be charged.

Weaving 102: Continuing Weaving ~ January 18-22, 2010

Topics covered:

• Review of topics from Weaving 101
• Dressing the loom from back to front
• How to read a profile draft
• Moving beyond plain weave, basket weave and twill
• Mixing fibres together successfully

Each student will warp a floor loom in different structures and fibres, using warps and drafts provided by the instructors. Once the looms are dressed, students will rotate among the looms¹ and weave a project on each warp. Structures will vary from three to eight shafts, including krokbragd, waffle weave, lace, fancy twills, block weaves, unit weaves, and/or two shuttle weaves. Projects will include scarves, tea towels or table runners as appropriate for the fibres, structures and sets being used on each loom.

NB: Continuing Weaving (Weaving 102) is designed for students who already have some experience in weaving and dressing a loom, reading a simple draft and planning their own projects. It focuses more heavily on loom time than Weaving 101 so that students have ample time to weave each project with instructors nearby to offer assistance if required.

Students should bring their own small, sharp scissors, blunt end tapestry needles, and note taking supplies to class. All other materials and equipment will be provided (though students who have their own shuttles and bobbins may wish to bring these as well). A materials fee will be charged.

The Instructors

Janet Dawson (that's me!)

"I've always loved yarn: the colours, the textures, the feel of it in my fingers... As a girl, I used to spend hours sifting through my grandmother's yarn drawer and winding up the tangled skeins into tidy balls, then unwinding them so I could do it all over again. Gramma taught me to knit when I was nine and to crochet a little later but when I moved to Cape Breton Island in 1994 and took my first weaving class, I knew I'd found my place: at the loom.

Though I've always longed to create beautiful things, my strengths run more toward math, computers and mechanics. This makes weaving perfect for me because it combines structure and beauty, balances planning with creativity, and allows exploration within a clearly defined framework. In short, it lets the arty-farty right side of my brain and the techy and mechanical left side of my brain cooperate rather than compete for my attention.

I also love to teach! I come from a long line of teachers so it's in my blood and discovering a new way to explain an old idea so that it finally clicks for someone who's been struggling is a particular delight. That I can combine my two passions for weaving and teaching into an actual job is a constant source of surprise and wonder for me. That I can do it with my mother? Priceless!”

Janet learned to weave at the Cape Breton Centre for Craft and Design in 1994 and taught the weaving program there from 2000 to 2009. She has been a member of the Sydney Weavers' Guild since '94 and was the HGA Rep for the Maritime provinces for four years. She has had articles published in the Ontario Spinners & Handweavers magazine, Fibre Focus, and twice in Handwoven Magazine, most recently in the Nov/Dec 2009 issue. Janet has her own weaving business, The Weaver's Palette, and is one of the founding members of Mixed Media Artisans Co-operative, a retail gallery showcasing the work of artisans from across Cape Breton Island and mainland Nova Scotia. Her handwoven blankets, scarves, table linens, garments and other items have been sold in shops in the Maritimes for 15 years and now grace the homes and wardrobes of customers across North America, Europe and as far away as Australia and the country of Georgia.

Janet is also active in the online fibre community. She writes two fibre related blogs: Scarfaday, which is almost entirely devoted to scarves, and High Fibre Diet, which covers fibre topics of all stripes. She also broadcasts live on Weaving In My Jammies (access code: jammiecam), where viewers can watch her weave and ask questions in real time about what she's doing or anything else related to her high fibre diet. Janet goes by janetdawson on Twitter, on Ravelry, and on Weavolution and by Janet Dawson on WeaveZine.

Though Janet has experience weaving and teaching advanced, multi-shaft structures, her current passion is for colour and texture in simple structures like plain weave and basket weave, and twills both plain and fancy.

Sue Willingham (a.k.a. My Dear Ol' Mum)

"Weaving has become the focus of my life since retirement, a way to be creative and to be involved with creative people. I especially enjoy helping people learn to weave and to explore more about weaving. My students never fail to surprise me with their individual flair -- I always learn as much as they do!

Sharing a love of weaving with my daughter is, of course, a very special gift. Her enthusiasm is the reason I took my first class. Since then sharing and consulting together has bridged the miles between us. I am really looking forward to teaching these workshops with Janet!"

Sue learned to weave in 1996 at the Weaving Works in Seattle – and via phone consultations with Janet! She moved to Vashon Island in 1998 and after retiring in 2001 had more time to focus on weaving. In 2005 she was asked by friends to teach them to weave. Her living room wasn't big enough so she converted her garage into a studio and later in 2005 opened the Willingham Weavery there. All of her looms were used when she acquired them. Currently there are eight floor looms and several table looms. During the workshops two more will be added temporarily for participants to use. Sue's weaving interests are eclectic -- she likes to experiment with new weave structures and various yarns. As looms have been added to her studio, new opportunities arise because of the size and number of shafts.

In 2003 Sue was one of the co-founders FiberNet, a group of Vashon fiber enthusiasts who share, teach, and learn from one another and, in 2008, mounted a show in Vashon Island's Blue Heron gallery. An outgrowth of FiberNet and of Sue's weaving classes is Vashon Weavers, a group of island weavers that meets regularly and enthusiastically to share and learn.

Sue has been a member of the Seattle Weavers' Guild since 2002 and is currently serving a third term as recording secretary. Next door to her studio is Vashon Island Alpacas; Sue works with the owners to produce and sell spinning batts and yarn from the luscious fleece of their animals under the name Vashon Alpaca Fibers. For several years she has participated in the Vashon Island Holiday Studio Tour the first two weekends in December; other island weavers also show their work at her studio during these tours.

Sue and Janet: Mother/Daughter Weaving Duo Extraordinaire!

Together, Sue and Janet are an international, east-meets-west, island to island, border hopping, mother/daughter weaving duo extraordinaire! They may live on opposites coasts of two different countries but they visit one another as often as possible and, due to the wonders of the interwebs (and a couple of webcams and hands free phones!), they weave “together” almost as much as if they lived down the road. The two of them live and breathe to weave and are often in consultation with one another on projects, on teaching, and on life in general.

Collectively, Janet and Sue represent almost 30 years of weaving and teaching experience. Their shared enthusiasm for their craft will inspire you and their mother/daughter antics will entertain you while their breadth of teaching experience and subtle (or not so subtle) differences in approach and technique provide you with a solid foundation of weaving theory and skills that will enable you to weave confidently on your own for years to come.

The Willingham Weavery

Sue's studio, The Willingham Weavery, is located on beautiful Vashon Island in the Puget Sound between Seattle and the Olympic peninsula. There are several places for visitors to the island to stay and to eat; anyone coming from away to take the workshops may contact us and we'll provide you with suggestions.

The Weavery is also right next door to Vashon Island Alpacas (where my niece and nephew live!) and Sue sells alpaca bats for felting and spinning as well as spun fibre that weaves up beeeooootifully. If there's interest, arrangements could be made for a tour of the farm. We may even be able to arrange a special yoga session for Madly Weaving Weavers if there are folks who'd participate - always a good idea to give your body a break after weaving for six hours a day!

1. Weave on one loom and then another and another, that is... as opposed to, you know, standing in amongst the looms and spinning round like a dervish. Though you're welcome to do that too if it makes you happy!

For your viewing pleasure: Scarfaday Live

I use the term "pleasure" loosely, you realize. There's not much to see here besides the clickety-clack of a loom at work and a shuttle swooshing back and forth, but you can now watch Weaving In My Jammies live on JustinTV. Access code: jammiecam!

Except that it won't be online all the time, or even most of the time. When it IS live, though, you can come watch me weave and chat with me while I do.¹ I'll be happy for the company, and happy to answer any questions you may have about what I'm up to. If you're very lucky, you might even catch a glimpse of an elusive loom cat. You will almost certainly glimpse some flannel.

If you do stop by, be sure to introduce yourself! There's a little chat balloon jobbie to the lower right of the screen.


1. And by chat, I meant txtmsg. I've got the mic off, 'cause I didn't want to have to make it a 18+ site and One Never Knows when some swearing might happen.

And the calendar goes to...

...Ron Dawson! Errrr... hang on now, that won't do at all.

Okay, try again: the calendar goes to... Evelyn Oldroyd! No, wait, she's got one already. Does she have one already? Yes, yes she does. Is it definitely the 1998 and not the 1997? Yes, it most certainly is.

Oooookay, try again. The calendar goes to... Ron Daws-- gnaaah!

*deep breath* Once more: The calendar goes to....

...PattyAnne of PattyAnne's Place! Congrats, PattyAnne! Your calendar is all wrapped up and waiting right by the door for its trip to the PO in the morning. :D

Big thanks to everyone who weighed in with an opinion on random vs. reflected. The answers were about 2:1 in favour of random, with 2 people not coming down on either side. (plus a third lurking in twitter DMs - you know who you are!)

Don't be too disappointed, those of you who didn't win, for all hope is not lost: I still have a handful of these and they'll likely be turning up in future contests, so Watch This Space.

It's contest time again!

Time for another quick and dirty survey, and hence another contest! It's going to be really quick and really dirty this time, so weigh in quickly for your chance at a Mahvelous Prize!

First, the question:

Do you prefer scarves with random stripes, like these:

Or those with reflected stripes, like these:

And now for rules and the prize:

To enter, simply comment on this post and tell me which you like best - easy peasey! At noon on Friday, I will pick a comment at random and that person will win... (dum dum dum dum duuuummmmm) A 1998 calendar!¹

Wait, don't go! I may be shamelessly giving away ancient calendars but it's not as lame a prize as you may think! This is actually a vintage² hand woven calendar made by the Sydney Weaver's Guild:

Yes, it's from 1998, but it's got handwoven swatches for each month! Actual bits of handwoven cloth, with a different thematically chosen structure and colour scheme for each month. Complete with drawdowns by Yrs Trly even, so you can weave them up yourself if you so desire. These are really nifty little swatch books and we sold hundreds of them all over the world back in the day.

But wait, there's more! Absolute proof that everything old is new again: the dates on the calendar are correct for 2009! I promise to get the calendar into the mail really really fast so that you can enjoy at least one month of accurate dates. Just disregard the "1998" on the cover and you'll be all set for the month of December - after that, it reverts back to being a swatch book.

Please be sure to include your email address in your comment so that I can contact you for your snail mail address. Do not include your snail mail address in your comment unless you like strange people appearing on your doorstep or junk mail in your mailbox!³

This time I really will only consider comments actually attached to this post and not email sent directly to me, as I'm going MAAAD this week trying to get ready for next weekend's market and won't have time to figure out how to merge the two lists. I'll also only consider comments that contain an email address since I want to put the calendar into the mail toot sweet (like on Saturday) so that there's really some hope of it arriving by Dec 1, so I want to be able to contact the lucky winner ASAP.

There, I think that's everything.

[Edit: Oops, not quite everything! You can put in your twitter user name instead of your email address if you prefer. Just so long as I can get 'hold of you really fast.

Oops: one more thing! Even if you'd rather not have the calendar - perhaps you're not a weaver yourself or maybe you've already got one? - I'd still like your input! Please chime in anyway and either say in your comment you'd rather forgo the prize or let me know on Friday if you happen to win. - J ]

1. I did say "really dirty"!

2. Is 11 years old vintage? I'd say so, for a calendar!

3. You might also like to hide your email address with an [at] instead of an @ and a [dot] rather than a . so that spammers do not sniff it out and start to use it. (e.g. jandawson[at]gmail[dot]com).

Just the stash, Mom, Just the stash. [Scarves ?? and 44-46]

You may recall that when Mom came to visit¹ last May, I stashed her in my yarn room for a month. Some people might object to being stuck in a storage room rather than a guest room but, being a weaver, Mom is quite content with the arrangement.² For one thing it's the only room in the house besides our bedroom, office and bathroom that actually has a door (for some reason she objects to cats climbing into bed with her).³ For another, it's filled with yarn:

Remember this? One wall of my yarn room/guest room/Mother containment unit/playground.

The door's nice but it's really the yarn she likes, even though she says it makes it hard to sleep sometimes. It overstimulates her and gives her all kinds of ideas for things to weave, apparently, and I don't doubt it. In years past when she visited I'd stick my head in and find her lying on the bed, staring thoughtfully up at the walls and worrying her lip or tapping her cheek as she combined the yarn on the walls in her mind. "I'd love to use that one and that one together," she'd say, pointing at the walls and looking at me hopefully.

I had my stash sort of organized, though - at least in theory. Production yarns were on one wall, knitting yarns on another, yarns I collected before starting the business on a third, etc - and I tried not to mix them up too much since some were business supplies and some weren't. And we were always so busy... and I never wove many scarves... There was always some reason I put her off, poor thing.

This year, though - This was The Year of the Scarf! I swear, she literally clapped her hands with glee when I didn't just allow her to go crazy in there but asked her, pretty please with sugar and cherries and all the trimmings, to wind me up some stash scarf warps. She was like a kid in a candy store mixed with a kid whose favourite toys were all in her room - she'd disappear for ages and when I finally tracked her down she'd be sitting on her bed with piles of yarn all around her and a big excited smile on her face: "Look at these, honey! Ooo, and what about this!? And you could use this or this... ooo, or that for weft!"

The end result was seventeen (17!!) warps she wound for three or four scarves apiece. The first couple of combos she just made a single warp out of but by the third one she was making two warps from each so that she could take one home and weave it too - the idea being that we could then compare to see how our respective scarves turned out. Here's the lot, aren't they gorgeous?

The stash warps Mom wound for me while she was here in May.

We thought they were so cool (and the pictures so neat) that we sent them off to Handwoven to see if they'd be interested in them for an Endnotes but I guess they already had stash warps articles planned for an upcoming issue or something so they didn't bite. Their loss, I think!

Anyhoo, we were both really excited about this back in May and each of us put on a warp right away. Mom actually wove three of them in quick succession, and they all turned out GRATE. See for yourself:

Mom's first three stash warps, all woven up. Soooo pretty!

Aren't those pictures FAB? I particularly like the ones that show the finished scarves all swirled up with their own wefts.

Unfortunately, I hit my Weaving Funk and stalled during the first stash warp I put on. Truth be told, I think the two are related to some extent. I don't mean to say that the stash scarves caused my funk, no sirree! They are BEEOOOTIFUL and I love them, and I love that my Dear Ol Mum (who I also love) wound them for me. But Mom's scarves were soooo pretty and her pics soooo cleverly composed that I, in my funkiness, thought to myself: "how can I compete with that? How can I improve on that??" As if competing or improving on was important somehow! Pfff! Ridiculous! But there it is: my darkest, dirtiest secret is that I'm a competitive little bi...er, thing, even where my Dear Ol Mum is concerned. I'm working on it, really I am. :P

I did manage to finish that first stash warp, though. And then, since those three scarves and three similar stashy scarves Mom had woven before she left sold like hot cakes in the shop, I managed to squeeze out a second one over the summer in spite of my weaving dry-spell. As it turns out, the two warps I chose were two of the ones Mom had also woven and we both wound up picking similar weft colours, too. Great minds think alike and all that:

Gaah! Mom's pics are much better than mine! Let it go, Janet, let it go...

Sadly, I didn't take any finished shots of the pastel warp, or if I did I can't find them. I still have one of those left - the only stash warp scarf that hasn't sold yet, I think because it's very springy colours and I didn't get them woven until fall - so maybe I'll get one taken yet. Or maybe I'll unearth the pics I thought I took but can't locate.

Those two warps were the only scarves I wove between June and September, actually. I've been weaving like crazy this month, though - and, now that my funk is over, these stash warps are calling to me! I wove one last week and am hoping to get several more done before the market next month. I'm sure they'll be as popular there as they were in the shop.

Here's the one I've done so far:

Warp #17, Scarves #44-#46

As I wove the first one I thought I was beating the weft in too hard and that it would cover up the lovely warp too much, so I beat the next two very lightly. In retrospect, I like the hand of the first one best even though the warp does show better in the other two. The third one, #46, was a particular experiment: I couldn't find the exact shade of grey I wanted on my production wall so I used a fine silk that my friend Barbara (hi, Barbara!) gave me years ago. The colour wasn't quite as blue as I wanted but hit the mark pretty closely. It must've been a good choice 'cause that's the scarf that the peanut gallery of weavers I showed these to on Thursday liked best. All three of these are sooo drapey and soft and the colours look reeeally great with a chocolate brown vest that I have, so I'm hoping they'll go quickly at the sale.

I still have four more warps from October to share with you but I'll save those for future posts. Right now, it's back to der loom for me!


1. Read: "work like a slave"
2. Good thing, 'cause I haven't got a guest room!
3. Hmm. Maybe I'm adopted?

Round Up [Scarves 36-41]

I finally got a chance to take some after shots of some of the scarves I've done the past week or so. I took all these pics in the shop, actually, so the colours are really pretty accurate - the ones I've been taking in the basement lately have been Very Odd Indeed. Maybe we changed the lightblubs or something?

First up is Warp #12, which is the same colourway as Warp #1. You may recall that I wove the first one just like Scarf #3 except that I hemmed the ends rather than fringing them. After I finished that first scarf, though, I resleyed at 8 EPI rather than 10 to see whether I liked the hand of the looser fabric better.


Scarf #36...

...Scarf #37...

...and Scarf #38!

Turns out that I do quite like the lighter hand: the 8/8 cotton woven up at 10 EPI is a really nice weight for winter but the scarves are ... well, let's just say they're Big Boned. At 8 EPI the scarves have a bit more drape and flexibility - and they're wider, of course. If I had to go out on a limb, I'd say the 10 EPI might be better for guys (narrower, sturdier, denser) and the 8 EPI ones might be preferable for da ladies. I'll definitely be doing more of each for the market and will try to pay attention to whether or not this theory carries any weight. :) I used the same old 4/8 cotton weft as usual for scarves 36 and 38; for 37 I used a cotton boucle of similar weight.

Next up, Warp #13, the wide Water Lilies scarves -- except that now that they're done, they make me think of the Scottish heath as well so now I'm not sure what to call it. Might have to have a "name that colourway" contest or summat. Name the palette, win the palette kinda thing. These are done in 4/8 cotton both warp and weft, with a planned stripe permutation in the warp. Anyhoo, here they are, whatever they'll wind up being called:

Scarf #39...

...Scarf #40...

...Scarf #41...

...and the whole happy family:

So there you have it: the first crop of scarves I'm getting ready for the craft market next month. I'm going to work both these colourways up as kits as well, and I think I might take some prewound warps to the market with me - either to sell to local weavers or to take orders if someone wants to choose his or her own weft colour.

Incidentally, I didn't make a slideshow out of these 'cause I put them on Flickr rather than uploading them right to Blogger, as my Picasa account is rapidly filling up. I don't yet know how to create a slideshow out of a Flickr set and if there's a handy little "create slideshow" button on my Flickr page, I'm not finding it. Can anyone shed any light?


I also wove off this wide scarf that I'd put on the Schacht Flip I borrowed from my friend Marie earlier today. Apart from an interlude of great wailing and gnashing of teeth, I got along pretty well with the Flip. I've got to give it back on Friday but I went ahead and put another warp on it this evening while Ron and I were watching t.v. Will keep you posted!

Sheds, temples and water lilies

Just a quickie to show you guys some of my progress so far on Craft Market Countdown 2009. You may have spotted my tally in the top right corner; if so, you're probably fretting at the very small number of scarves I've finished so far - I know I am! Still, those are scarves that are Completely Done, tagged and everything, not any of the ones that are currently in progress, so things aren't quite so grim as they appear. Which is to say, I'm not yet in full blown panic mode - that's still a week or two away. I hope. Ahem.¹

In addition to those three finished scaves (pics up soon, I promise!) I've actually got warps going on four different looms right now, with two wide scarves off and ready to be twisted and three others in varying stages of doneness. (Is that a word? My spell checker says no but I say yes. Take That, Mr. Spellchecker!) The warps are all totally and completely different but very pretty in their own ways. Here's the one I'm loving the most, in spite of the fact that it's totally unseasonal. It's on Joey right now but only for another hour or so until I get the last of three scarves finished:

The weird green thread on the left side is the guide string - I don't usually use one but did this time just for kicks.

That's the warp on the mill before I chained it off. The colours aren't so hot in this pic but you can see that they're soft, nearly-but-not-quite pastels. Or maybe they are pastels but they're more grey than the baby pink and blue and yellow that I associate with the word "pastel". To me this colourway looks like one of Monet's paintings. One of the Water Lilies, perhaps?

Here it is again, all chained up. This shows the colours much better:

I'm doing these scarves like the ones from Warp #9 and the magazine article: 4/8 cotton at 8 EPI, 15" in the reed and beat Very Gently Indeed. They usually come out around 11" wide after they're wet finished. I used the same stripe progression that I used for the grey scarf in the article rather than my usual random colours or reflected stripe - I'm quite taken with that and expect to be using it quite a lot in the weeks and months to come.

I started out using the same light green that's in the warp. I wasn't sure at first whether it worked but after the scarf was finished and off the loom I decided I quite liked it. The stripes are much more subtle than I'd anticipated but subtle is okay!



For the second scarf I used a soft grey with brownish undertones that sets off the warp stripes much more than the green did. I fell in love with that one from the get go but didn't take any pics of that one on the loom so you'll have to wait until it's wet finished to see how pretty it is. Ho hum.

For the third one I used a bluish green that's just a bit darker than one of the colours in the warp. At this point the grey's still my fave but I remain open to the possibility that this one might overtake it. I started working on it this morning when I found out today's cruise ship was canceled, and I'm heading downstairs inna bit to go finish it, then twist the fringes on all three and get them wet finished - am very excited to see what they look like all done!



I've got two rigid heddle looms on the go right now, too: my own little Knitter's Loom which is dressed with some bright scarves in purple, gold and navy, and a Flip that I borrowed from a friend which is wearing all bright purples and fuchsias. I'm really loving the fuchsia stripe action on the Flip and I think they'll be really popular what with how big purple is these days but the muted tones in the Water Lilies are my absolute faves for me personally. I wear those kinds of colours all the time. Will be hard to part with the scarves once they're done but then I can always make myself another. :)

Anyone following the hubbub over the use of temples on the Weaving List may be interested to know that, as you can see from the pic, I'm using one on these scarves. I didn't use one for the green scarf but put it on part way into the grey one (hopefully the funny little bump where it gets wider won't show up too much) and plan to use it for all other scarves I do of this type since it makes such a big difference. I generally use a temple on my wider scarves and shawls but not on my narrow scarves. Don't use one on placemats, sometimes do on blankets and sometimes don't. I have no hard and fast rules except to use one when it improves the cloth.

Incidentally, for narrow and lightweight fabrics I use Glimakra temples. I've tried the LeClerc temples and, although they're very similar in style to the Glimakra, I Do Not Like Them. I don't know whether it was the particular temple I was using at the time or something about the LeClerc design, but it prompted considerable wailing and gnashing of teeth that the Glimakra ones do not. The Glimakra ones are lighter with finer teeth and just generally more pleasant to look at and to touch. That counts for a lot in my book. For heavy, wider fabrics (read: blankets and rugs) I use metal Toika temples. They are The Business. Also, I like the bright cheery colours. I also like that they don't obscure as much of the fabric as the wider, wooden ones - that extra width bothered me a bit at first with the Glimakras but I've gotten over it now. :)

Speaking of seasonal colours, things are absolutely gorgeous around here right now. The colours are just a tad past their prime around my yard but still lovely, as you can see in this pic of our brand new shed, which has caused much rejoicing chez moi the past couple days:


Every fall I daydream about weaving something using the colours in the trees. Especially the hot pink and gold of the maples - such an unlikely combination but so beautiful! Throw in a bit of dark green from the evergreens and the grey of the tree trunks... oh man, now I want to go wind warps instead of weaving. Good job there's time for both!

The shed is big news 'cause it's finally going to relieve some of the pressure in the house space-wise, plus it's extra exciting for me 'cause it feels like Step One towards building my outside studio, which I think might become a reality next year or the year after. The link between the shed and the studio is more psychological than anything but I have walked around in there and tried to get a feel for the space, estimate how much more space I'd need for what I want in the studio, etc. etc. It just feels like Progress, and that's a really great thing.

1. I've also got a fair number of scarves at a couple of different shops that will close for the season by the end of the month and I'll be Very Surprised Indeed if I don't get several scarves back that haven't sold yet. Surprised, then thrilled and then really freakin' desperate 'cause I won't have diddly for the market. Gaahh!